Technique · Fields

Mirror smoke

Wisps of smoke curling into looped, mirror-symmetrical figures on a dark ground, grey-green with a warm beige core.

Mirror smoke is a field drawn for every pixel by the graphics chip. Every piece on Synapse Drip is made from a recipe that layers techniques like this one, and you can change any of it in the Studio.

Good to know

  • Smoke photographers shoot incense against black velvet with a fast flash and a long exposure, and many then mirror a patch of the result, which is the trick this piece uses.
  • Rising smoke is laminar at first because the hot gas moves slowly; it speeds up as it climbs and hits the transition to turbulence, where the plume breaks into curls.
  • Rorschach's inkblot test, published in 1921, uses the same trick of symmetry: a folded blot makes shapes the eye reads as figures.
  • The figure-eight is a lemniscate, from the Latin for a ribbon; Jacob Bernoulli described the curve in 1694, and John Wallis introduced the sideways eight as the symbol of infinity in 1655.
  • Smoke rising from incense stays smooth and layered for a few centimetres and then breaks into turbulence: the transition happens at a particular flow speed, which fluid dynamicists measure as a Reynolds number.

The mathematics

  • The figure-eight is a lemniscate of Bernoulli, (x^2 + y^2)^2 = a^2 (y^2 - x^2), standing on its end; the picture estimates the distance to it as |f| / |grad f|, which is accurate close to the line and a good enough blur far from it.
  • Mirror symmetry is one line of arithmetic: the horizontal position x is replaced by its absolute value, so a drawing on the right half appears on both.
  • Each of four strands is displaced by three layers of noise at different scales (0.90 of turbulence); averaging the four gives a bundle that parts and rejoins, like smoke made of many filaments.

In art

  • Photographers have treated smoke as a sculptural subject for a century, because a plume changes shape faster than the eye can follow and a fast flash holds it still.
  • Symmetrical patterns have been used in religious art for millennia, in mandalas and rose windows, to suggest order and calm.

More ways to use it

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